Behringer Xenyx 502 Driver Download

I have a new xenyx 502 Behringer mixer, but i do not have the software, it was not in the box. Answered by a verified Electronic Musical Instrument Expert We use cookies to give you the best possible experience on our website. BEHRINGER USB AUDIO DRIVER is a Shareware software in the category Audio & Multimedia developed by BEHRINGER USB AUDIO DRIVER. It was checked for updates 31 times by the users of our client application UpdateStar during the last month. The latest version of BEHRINGER USB AUDIO DRIVER is currently unknown. Workaround for a bug in the Windows 8/8.1 Bluetooth audio driver (causing BSOD when device is opened twice). This bug seems to have been fixed in Windows 10. Improvement: UI response time and driver (re-) start time should be a lot snappier now. Fix: Some Application Verifier errors should be gone. Behringer XENYX 502 5-Channel Mixing Console Featuring a 3-band equalizer, a built-in amplifier, fader controls and phantom power, it is also fully compatible with mp3 and CD players. Mic Preamps & Gear, phantom powered XENYX 302USB. Behringer Xenyx 302USB Premium 5-Input Mixer with Mic Preamp and USB/Audio Interface,Black. Free behringer q502 usb driver download download software at UpdateStar - 1,746,000 recognized programs - 5,228,000 known versions - Software News. » behringer 1204 usb driver download » behringer xenyx 1622 usb driver download » behringer u phoria usb driver download.

Back in September of last year, I splurged $120 on some sound kit in order to improve the quality of my podcast recordings. I've not regretted my purchase of the Behringer PodcaStudio USB, but I've often felt like I'm under-utilising it. I think I could be making adjustments to improve the sound quality I get from it; I'm just not sure what.

Last night (July 8th), I decided that it was time to educate myself. I got the user manual for the Studio's included sound board, the Xenyx 502, out and sat down to read it.

And was blinded… with science!

The book started throwing terms like 'signal path' and 'input gain,' 'phase shifting' and 'slope at 18 dB/oct, -3 dB at 75KHz.' Dude, WTF? This is what you throw at folks who are buying a podcasting kit?

Okay, let me be fair. I didn't get this from Dick Smith or Harvey Norman. I walked into a dedicated music store, a place whose primary clientele are sound afficionados, to get this product. Maybe there'd be an expectation of a minimum level of knowledge when it comes to one of these things.

So how do I get up to speed? How much do I need to know, and to what degree, in order to get this rig to output optimum-quality sound?

Let's start this one step at a time:

Which Knobs Are Important?

At first blush, there are a whole heap of sockets and knobs that may or may not be important to what I'm doing. It may only be a small board, but it's still pretty intimidating to the complete newb (like moi).

Print shop 15 download. Spend a bit of time with it and you discover that the board is divided up based on a number of 'lines' in and out; the number of signals the board takes in. It turns out that while there are five 'lines' in, there are only three inputs from a user's perspective: One mono input (Line 1), which is for the Behringer Ultravoice XM8500 microphone that comes with the kit, and two stereo inputs (Lines 2/3 and 4/5).

In terms of lines out, there is one, what the board calls 'Main Out,' as well as a point for a stereo headphone jack. There are also two sets of stereo RCA sockets (you probably know what these look like already, but if not, see the Wikipedia entry on RCA connections) for 'CD/TAPE', which the kit's USB sound card plugs into.

For my current purposes, LINE 1 and MAIN OUT are all I need. What, then, relates to these?

The Long Line of LINE 1

Under LINE 1 is a column of five knobs that alter what comes in via the microphone. These are: GAIN, EQ HIGH and LOW, PAN (with a red CLIP light next to it) and LEVEL.

I've fiddled with these in the past, and I know they make a difference, but I'm not sure how or why. Time to find out:

GAIN

The manual reads, 'Use the GAIN control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.'

Okay, one concept drop and a safety tip. Thank you for that, manual, but can you tell me what input gain is and under what circumstances I might want to adjust it?

A quick check of Wikipedia tells me that 'gain' is a measure of amplitude, in other words, how much the board is increasing the volume of the microphone's input. The panel tells me the gain can range from +10 (-10) to +60 (+40) but not what those numbers mean. I'm assuming they're decibels.

Funnily enough, it's the paragraph on the CLIP light which is instructive: when it lights up, the input from the microphone is too loud. 'If this happens,' reads the manual, 'use the GAIN control to reduce the preamp level until the LED does not light any more.'

Practical Use of GAIN

Aha. So the GAIN control alters the microphone's 'preamp level' and should be set so that the CLIP light doesn't light up. That says to me that when I'm setting up for a session where I want to make sure I get good results, a sound check with an eye on that GAIN can help ensure quality. Probably not a bad idea to throw some plosives in there (the hard 'p' and 't' sounds) as that's what tends to cause clipping.

EQ HIGH and LOW

Two knobs in the EQ section, one marked HIGH 12 kHz – twelve kiloHertz – and one marked LOW 80 Hz – eighty Hertz. So this must be some form of equaliser.

The manual reads, 'All mono input chanells include a 3-band equalizer, except for the 502, which is equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB. In the central position the equalizer is inactive.' It then goes on to tell me how great the circuitry of its British EQs is.

But I'm getting it. I can boost or cut the amplification of the higher or lower notes that come into the microphone. I guess it's like the old 'Bass' and 'Treble' knobs you'd find in most stereos.

Practical Use of EQ

I have a voice that's better in the lower registers; maybe it's worth upping the LOW control a bit.

PAN (CLIP)

Per the above, the CLIP light goes on when the input from the microphone is too loud. I fix the situation by lowering the GAIN control.

LEVEL

According to the manual, 'The LEVEL control determines the level of the channel signal in the main mix.' Now, this seems self explanatory – it lets you set the overall volume of the mono input as compared to the other inputs.

Practical Use of LEVEL

If I'm right, it's worth dropping the levels on the stereo lines to nil, just so there's no other noise from them (even though there's nothing plugged into them).

Should I then crank the LINE 1 level to maximum? I'm not sure. There's some amplification stuff there, which I might leave to Audacity rather than do on the board.

MAIN OUT

So, this is the other end of the system: The output. The stuff that comes out of the Xenyx 502 and goes into my PC via the mixing board.

At first, it looks like there's lots of important stuff here. Like Lines 2-5, there are two output jacks, a headphone jack, two pairs of RCA left/right sockets (input and output) marked CD/TAPE which the USB sound card plugs into, a power indicator, two CD/TAPE switches (CD/TAPE TO PHONES and CD/TAPE TO MIX) plus two knobs: PHONES and MAIN MIX.

Practical Use of MAIN OUT

Looking at the manual, though, this is largely useless for my purposes. PHONES controls the output volume to the headphone jack, whilst MAIN MIX controls the output volume to the pair of MAIN OUT jacks. There's no direct control for the CD/TAPE outputs, which is where my computer takes the sound from.

What do the Xenyx 502's buttons do for me?

Perhaps not much. A friend in the audio industry suggested I leave everything on a neutral setting and do my audio editing work in Audacity – perhaps not a bad idea. Though I'm tempted to up the gain when recording, it might introduce more audio artifacts and exaggerate any clipping issues that come up.

Still, beefing up the LOW frequency range with the equaliser seems like a good idea…

Next Questions

What makes a good sound check?

Are you curious?

What piece of electronic kit have you owned that you used, but didn't really know your way around?

Are you producing?

What have you purchased to improve the quality of a product? How well or badly did it work?

And was blinded… with science!

The book started throwing terms like 'signal path' and 'input gain,' 'phase shifting' and 'slope at 18 dB/oct, -3 dB at 75KHz.' Dude, WTF? This is what you throw at folks who are buying a podcasting kit?

Okay, let me be fair. I didn't get this from Dick Smith or Harvey Norman. I walked into a dedicated music store, a place whose primary clientele are sound afficionados, to get this product. Maybe there'd be an expectation of a minimum level of knowledge when it comes to one of these things.

So how do I get up to speed? How much do I need to know, and to what degree, in order to get this rig to output optimum-quality sound?

Let's start this one step at a time:

Which Knobs Are Important?

At first blush, there are a whole heap of sockets and knobs that may or may not be important to what I'm doing. It may only be a small board, but it's still pretty intimidating to the complete newb (like moi).

Print shop 15 download. Spend a bit of time with it and you discover that the board is divided up based on a number of 'lines' in and out; the number of signals the board takes in. It turns out that while there are five 'lines' in, there are only three inputs from a user's perspective: One mono input (Line 1), which is for the Behringer Ultravoice XM8500 microphone that comes with the kit, and two stereo inputs (Lines 2/3 and 4/5).

In terms of lines out, there is one, what the board calls 'Main Out,' as well as a point for a stereo headphone jack. There are also two sets of stereo RCA sockets (you probably know what these look like already, but if not, see the Wikipedia entry on RCA connections) for 'CD/TAPE', which the kit's USB sound card plugs into.

For my current purposes, LINE 1 and MAIN OUT are all I need. What, then, relates to these?

The Long Line of LINE 1

Under LINE 1 is a column of five knobs that alter what comes in via the microphone. These are: GAIN, EQ HIGH and LOW, PAN (with a red CLIP light next to it) and LEVEL.

I've fiddled with these in the past, and I know they make a difference, but I'm not sure how or why. Time to find out:

GAIN

The manual reads, 'Use the GAIN control to adjust the input gain. This control should always be turned fully counterclockwise whenever you connect or disconnect a signal source to one of the inputs.'

Okay, one concept drop and a safety tip. Thank you for that, manual, but can you tell me what input gain is and under what circumstances I might want to adjust it?

A quick check of Wikipedia tells me that 'gain' is a measure of amplitude, in other words, how much the board is increasing the volume of the microphone's input. The panel tells me the gain can range from +10 (-10) to +60 (+40) but not what those numbers mean. I'm assuming they're decibels.

Funnily enough, it's the paragraph on the CLIP light which is instructive: when it lights up, the input from the microphone is too loud. 'If this happens,' reads the manual, 'use the GAIN control to reduce the preamp level until the LED does not light any more.'

Practical Use of GAIN

Aha. So the GAIN control alters the microphone's 'preamp level' and should be set so that the CLIP light doesn't light up. That says to me that when I'm setting up for a session where I want to make sure I get good results, a sound check with an eye on that GAIN can help ensure quality. Probably not a bad idea to throw some plosives in there (the hard 'p' and 't' sounds) as that's what tends to cause clipping.

EQ HIGH and LOW

Two knobs in the EQ section, one marked HIGH 12 kHz – twelve kiloHertz – and one marked LOW 80 Hz – eighty Hertz. So this must be some form of equaliser.

The manual reads, 'All mono input chanells include a 3-band equalizer, except for the 502, which is equipped with a 2-band EQ. All bands provide boost or cut of up to 15 dB. In the central position the equalizer is inactive.' It then goes on to tell me how great the circuitry of its British EQs is.

But I'm getting it. I can boost or cut the amplification of the higher or lower notes that come into the microphone. I guess it's like the old 'Bass' and 'Treble' knobs you'd find in most stereos.

Practical Use of EQ

I have a voice that's better in the lower registers; maybe it's worth upping the LOW control a bit.

PAN (CLIP)

Per the above, the CLIP light goes on when the input from the microphone is too loud. I fix the situation by lowering the GAIN control.

LEVEL

According to the manual, 'The LEVEL control determines the level of the channel signal in the main mix.' Now, this seems self explanatory – it lets you set the overall volume of the mono input as compared to the other inputs.

Practical Use of LEVEL

If I'm right, it's worth dropping the levels on the stereo lines to nil, just so there's no other noise from them (even though there's nothing plugged into them).

Should I then crank the LINE 1 level to maximum? I'm not sure. There's some amplification stuff there, which I might leave to Audacity rather than do on the board.

MAIN OUT

So, this is the other end of the system: The output. The stuff that comes out of the Xenyx 502 and goes into my PC via the mixing board.

At first, it looks like there's lots of important stuff here. Like Lines 2-5, there are two output jacks, a headphone jack, two pairs of RCA left/right sockets (input and output) marked CD/TAPE which the USB sound card plugs into, a power indicator, two CD/TAPE switches (CD/TAPE TO PHONES and CD/TAPE TO MIX) plus two knobs: PHONES and MAIN MIX.

Practical Use of MAIN OUT

Looking at the manual, though, this is largely useless for my purposes. PHONES controls the output volume to the headphone jack, whilst MAIN MIX controls the output volume to the pair of MAIN OUT jacks. There's no direct control for the CD/TAPE outputs, which is where my computer takes the sound from.

What do the Xenyx 502's buttons do for me?

Perhaps not much. A friend in the audio industry suggested I leave everything on a neutral setting and do my audio editing work in Audacity – perhaps not a bad idea. Though I'm tempted to up the gain when recording, it might introduce more audio artifacts and exaggerate any clipping issues that come up.

Still, beefing up the LOW frequency range with the equaliser seems like a good idea…

Next Questions

What makes a good sound check?

Are you curious?

What piece of electronic kit have you owned that you used, but didn't really know your way around?

Are you producing?

What have you purchased to improve the quality of a product? How well or badly did it work?

Links

Wikipedia:

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Behringer Xenyx Q502usb Driver Download

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Behringer Xenyx 502 Driver Download

It was checked for updates 63 times by the users of our client application updatestar during the last month. Asio4all 2.13 - chinese english manual changes since version 2.12 workaround for a bug in the windows 8/8.1 bluetooth audio driver causing bsod when device is opened twice . Read honest and unbiased product reviews from our users. On this page, you will find document management and device configuration controls, as well as a customizable artist profile, a news feed, and links to demos and tutorials from presonus. Major step in the start page. I plugged in my xlr mic and everything sounded great until i tried to play back my recording and my pc speakers were silent! I have a new xenyx 502 behringer mixer, but i do not have the software, it was not in the box.

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Behringer Xenyx 502 Driver Download

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Behringer xenyx x1222 usb mixer the x1222usb is a step up from the x1204usb with six mono mic inputs. The synaptics pointing device driver sound card for better sound. I had on this page you installed an audio interface. Behringer usb audio driver is a shareware software in the category audio & multimedia developed by behringer usb audio driver.